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Shakar Abdalla Pave Jamil Ahmad

Abstract

This study examines the technical and functional dimensions of employing visual effects (VFX) and motion graphics in television programs in the Kurdistan Region. The importance of the topic stems from the extent to which visual technologies have become strategic tools for transcending the physical limitations of studio production and for constructing simulated environments that interact with, and enhance, media content. The primary objective is to determine the intensity of use, identify dominant types, and clarify the communicative functions that these techniques perform within visual discourse. To achieve this aim, a content analysis was conducted on three distinct programs broadcast on the channels Rudaw, NRT, and KurdSat. The findings show that the use of VFX has shifted from an aesthetic enhancement stage toward a functional stage, with 52.8% of recorded instances serving an educational function and facilitating the presentation and comprehension of visual material. The results further indicate that compositing and infographics are the most prevalent techniques, and that the average intensity of use has reached 20.5 VFX elements per minute, demonstrating a high level of technological integration in Kurdish media. The study concludes that, through digital visual augmentation and three-dimensional environment construction, Kurdish television channels have been able to create a plausible simulated reality comparable to international standards in contemporary television broadcasting.

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Section
Research Articles

How to Cite

Abdalla, S., & Jamil Ahmad , P. (2026). Levels of Visual Effects (VFX) Utilization in Television Program Production in the Kurdistan Region: Levels of Visual Effects (VFX) Utilization in Television Program Production in the Kurdistan Region. Mitanni Journal for Humanities and Social Sciences, 6(2). https://doi.org/10.25156/ptjhss.v6n2y2025.pp41-53

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